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Painter

 

Purpose of the Visual Arts Department:
The Visual Arts Department will provide a quality visual arts education based on a foundation of both traditional and contemporary practices and ideas. Consistent with the mission, philosophy and institutional purposes of Casper College, this education serves as the foundation for further study and meaningful participation in contemporary society.

Vision Statement:
Graduates of the Visual Arts Department with Associate of Fine Art studio degrees will have a basic understanding of drawing, two and three-dimensional design and media and a basic understanding of the history of art. Graduates of an Associate of Arts degree in Art will have an overview of studio foundations and art history. Graduates of the Associate of Arts Museum/Gallery Studies degree will have an understanding of basic operations of a museum or gallery and an overview of the history and changing role of these facilities in society.
Painter
Contact Information:

Kathy Coe
Academic Assistant
(307) 268-2606
FA 303
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Linda Ryan
Department Head
(307) 268-2671
VA 105
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  • Justin Hayward
    • Phone: (307) 268-2663
    • Office: VA 121
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  • Valerie Innella
    • Phone: (307) 268-2060
    • Office: VA 128
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  • Michael Keogh
    • Phone: (307) 268-2697
    • Office: VA 125
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  • Nancy Madura
    • Phone: (307) 268-2507
    • Office: VA 115
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  • Michael Olson
    • Phone: (307) 268-2509
    • Office: VA 111
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  • P. June Roys
    • Phone: (307) 268-2673
    • Office: VA 118
    • Weblink
  • Linda Ryan
    • Phone: (307) 268-2671
    • Office: VA 105
    • Weblink
   

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Museum Studies Class at NIC

Museum Studies Class at NICART 1000 General Art: Studio (2L,4LB,3CR)[E][CA]:
General Studio Art is an introductory hands-on studio art class for nonart majors designed to give students practical experience and appreciation for the arts through a variety of media. Four media will be covered in this class: drawing, ceramics, relief printing and other media.

ART 1010 Introduction to Art (3L,3CR)[E][CA]:
A survey of the arts produced by humans from prehistory through contemporary trends. Emphasis on the basic elements of art and contemporary movements in painting, sculpture, and architecture. For nonart majors only.

ART 1015 History of Graphic Design (3L,3CR):
This course discusses historic and contemporary design history with a focus on formal and aesthetic issues.

ART 1050 Drawing I (2L,4LB,3CR) [CA]:
Introductory drawing emphasizing a wide range of drawing materials and methods of visual study. Fundamentals are stressed.

ART 1060 Drawing II (2L,4LB,3CR):
Continuation of the principles of drawing, including contemporary esthetics and the human figure. Prerequisite: ART 1050.

ART 1065 Perspective Drawing (2L,4LB,3CR):
This course will present concepts and skills in drawing the illusion of objects in three-dimensional space using principles of geometry to develop spatial logic and imagery. Theories, principles and conventions of formal and informal systems of structural drawing will be studied. Formal systems will include such topics as one, two, and three point perspective, elliptical perspective, foreshortening, compound forms, and tonal development. Informal, analytical systems will explore isometric methods. Study can be applied to fine arts, illustration, and three-dimensional imagery.

ART 1110 Foundation: Two-Dimensional (2L,4LB,3CR)[E]:
Studies and sequential exercises in the basic elements of design: shape, line, value, color, and texture. Exploration of the relationships of these elements with emphasis on composition.

ART 1120 Foundation: Three-Dimensional (2L,4LB,3CR)[E]:
A lecture and problem solving course in the basic elements and principles of three-dimensional design with emphasis on composition.

ART 1130 Foundation: Color Theory (2L,4LB,3CR)[E]:
Studies and sequential exercises in color theory. Exploration of the relationships of hue, value, and chroma, studied in progressive exercises to enhance student’s awareness of color and its aesthetic relationships.

ART 1150 Photography I (2L,4LB,3CR)[E][CA]:
A beginning course in still photography covering the operation of cameras and photographic equipment, processing of black and white films and prints, design and the history of photography. Assignments stress a variety of subjects emphasizing the fine art of photography.

ART 1160 Photography II (2L,4LB,3CR):
A continuation of ART 1150 covering advanced camera and darkroom techniques including the Zone System, manipulated processes such as solarization, multiple printing, photograms, and toning. Emphasis is on the fine print and art of photography. Prerequisite: ART 1150.

ART 1250 Water Based Media I (2L,4LB,3CR):
TopThe basic techniques in watercolor painting, including the preparation and use of materials, and the presentation of completed work.

ART 1260 Water Based Media II (2L,4LB,3CR):
The basic techniques in watercolor painting, including the preparation and use of materials, and the presentation of completed work. A continuation of ART 1250. Prerequisite: ART 1250.

Museum Studies Class at NICART 1300 Museum Studies (3L,3CR):
The course provides an understanding of basic operations of a museum or gallery such as exhibit design, education, collections management, marketing, and an overview of the history and changing role of these facilities in society. The course also involves travel to Casper museums to explore their missions, services and collections.

ART 1345 Bronze Casting (2LB,1CR)[E]:
The course is designed to acquaint the student with the basic principles of lost wax casting through traditional foundry techniques. Emphasis is on completion of a bronze casting. Procedures include wax working, mold investment, and burnout, foundry methods and finishing procedures.

ART 1495 Photography Workshop (2L,4LB,3CR):
A course allowing students to work at their proficiency levels from beginning to advanced photography with individualized instruction. A variety of topics may be studied. Prerequisite: ART 1150. (Summer semester.)

ART 2010 Art History I (3L,3CR)[E][CA]:
A study of the visual arts produced by humans from prehistoric times to the Renaissance. This course is required of all art majors.

ART 2020 Art History II (3L,3CR)[E][CA]:
A study from the Renaissance to Rococo. Political, social, and economic factors relative to the visual arts will be considered. This course is required of all art majors.

ART 2023 Collections Management (3L,3CR):
This course is a practical study of the duties of a museum collections manager, including the documentation, loaning, digitization, preservation, storage and care of collections.

ART 2025 Women In Art (3L,3CR):
A general introduction to depictions of women in art from the earliest known artifacts produced by humans to understand how women were viewed in ancient societies, as well as women's involvement in the visual arts from the Middle Ages to the present with emphasis on the 20th century. Questions that will be posed include: "how does gender affect art?" and "how do stereotypes of women affect viewing works of art?" Political, social, and economic factors will be examined in relation to women artists and their times to further understand artistic production.

ART 2035 Art History III (3L,3CR):
A study of the visual arts produced throughout the late 18th to 20th century in Europe and America. Political, social, and economic factors will be considered as they affected artistic style.

ART 2050 Life Drawing I (2L,4LB,3CR):
The human figure is used as primary subject. Proportion, anatomy, movement, portraiture etc. are studied. A variety of drawing materials are used. Prerequisite: ART 1050 and ART 1060.

ART 2060 Life Drawing II (2L,4LB,3CR):
The human figure is used as primary subject. Proportion, anatomy, movement, portraiture etc. are studied. A variety of drawing materials is used. Prerequisite: ART 1050 and ART 1060.

ART 2073 Introduction to Art Education (3L,3CR):
A survey of the history of art education focusing on influential 20th century educators, as well as discussion of contemporary theories in the field such as DBAE, Critical Theory, and Visual Thinking Strategies. This class will also focus on developing curriculum for the art education classroom with discussion of the stages of aesthetic development as well as assessment within an art course.

ART 2075 Illustration I (2L,4LB,3CR):
This course is an introduction to the use of type, illustration, and expressive design to communicate visually. It consists of a series of sequential exercises to promote creative problem solving techniques and to master basic technical skills. Prerequisite: ART 1050, ART 1110, and ART 1130.

ART 2076 Illustration II (2L,4LB,3CR):
A continuation of the study of the exploration of visual communication concepts and design principles allowing students to develop more personal expressive ways of solving visual communication problems, and to expand their technical skills and use of multiple media. Prerequisite: ART 2075. Top

ART 2090 Printmaking I: Relief (2L,4LB,3CR):
A basic course in relief printmaking including black and white and color linocut, woodcut and plastic base printing techniques. Prerequisite: ART 1050 and ART 1110. (Fall semester.)

ART 2095 Printmaking II: Intaglio (2L,4LB,3CR):
A basic course in intaglio printmaking including etching, hard and soft ground, dry point, engraving, and aquatint techniques. Monoprints and monotypes will also be explored. Prerequisite: ART 1050 and ART 1110. (Spring semester.)

ART 2100 Digital Design I (2L,4LB,3CR):
An introductory course in the use of the Macintosh computer as a design tool to create and manipulate images and combine them. Prerequisite: ART 1050 and ART 1110.

ART 2105 Digital Design II (2L,4LB,3CR):
Continued study of the Macintosh computer as a design tool to create and manipulate type and images and combine them. Prerequisite: ART 1110.

ART 2110 Typography (2L,4LB,3CR)[E]:
This course offers students a comprehensive introduction to typography through exploration and experimentation with letterforms and page layout for expressive communication. The course will cover the fundamental typographic principles, font recognition, and analysis of both historical and post-modern design theory. Emphasis will be placed on content, form and technique for effective use of typography in ads, posters, newsletters and other visual communications. Prerequisite: ART 1110 or ART 2120.

ART 2113 Introduction to Time Based Media (2L,4LB,3CR):
This course is designed to introduce graphic design students to video and animation as a medium for art and design. The course will cover basic video editing skills and effects and how to use a video camera to create cogent and aesthetically pleasing time based works. The course will also cover DVD Authoring in DVD Studio Pro. Prerequisite: ART 2100.

ART 2120 Graphic Design I (2L,4LB,3CR)[E]:
Graphic Design is a communication of ideas using type and images. This course offers students a comprehensive introduction to the field of graphic design that stresses theory and creative development in discipline-specific information; hands-on practice and an understanding of time-honored principles. Although graphic styles and the tools of the graphic design field are constantly evolving, the fundamental structures and principles of good design remain constant. Prerequisite: ART 1110.

ART 2130 Graphic Design II (2L,4LB,3CR):
This course offers students further exploration of concept development and the language of symbols combined with further exploration into the aesthetic issues of type. Emphasis will be placed on content, form and technique for effective use of graphic design and typography in ads, posters, newsletters, desktop publishing and other visual communications. Prerequisite: ART 1110, ART 2100, ART 2110, ART 2120; must also have a working knowledge of Adobe CS4.

Museum Studies Class at NICART 2141 Professional Practice in the Arts I (1L,1CR):
This seminar will focus on practical aspects of artistic practice such as preparing a professional portfolio and resume, generating an exhibition, understanding careers in art and preparing work for museum and/or gallery consideration. This course is suggested of all art majors.

ART 2150 Color Photography I (2L,4LB,3CR):
A study of the basic principles, concepts, and aesthetics used in color photography. Will cover negative and positive film processing and printing including color balance. Contemporary trends in color photography and basic color theory will also be reviewed. Prerequisite: ART 1150, ART 1160 and permission of the instructor.

ART 2160 Color Photography II (2L,4LB,3CR):
Continued study of various color developing and printing processes with an emphasis on experimental color photography. Contemporary trends in color photography will also be reviewed. Prerequisite: ART 2150 and permission of the instructor.

ART 2180 Alternative Processes (2L,4LB,3CR):
A course in experimental photographic techniques and nonsilver processes including cyanotype, gum prints, van Dyke prints, Polaroid transfer, and solar etching among others. Prerequisite: ART 1150, ART 2160, and permission of the instructor. (Spring semester.)

ART 2210 Painting I (2L,4LB,3CR)[E]:
An introductory oil or acrylic painting course presenting a variety of methods and subjects. Prerequisite: ART 1050. Top

ART 2220 Painting II (2L,4LB,3CR)[E]:
An introductory oil or acrylic painting course presenting a variety of methods and subjects. Prerequisite: ART 1050 and ART 2210.

ART 2230 Painting III (2L,4LB,3CR)[E]:
A painting course in which emphasis is on the aesthetic concepts of contemporary movements. Students are encouraged to experiment within the framework of selected projects and to explore individual ideas and broaden experience. Prerequisite: ART 2210, ART 2220, and permission of the instructor.

ART 2240 Painting IV (2L,4LB,3CR)[E]:
A painting course in which emphasis is on the aesthetic concepts of contemporary movements. Students are encouraged to experiment within the framework of selected projects and to explore individual ideas and broaden experience. Prerequisite: ART 2210, 2220, 2230, and permission of the instructor.

ART 2245 Digital Photo for Art Majors (2L,4LB,3CR):
Investigation and application of some of the fundamentals of pictorial arrangement and expression within the realm of digital photography. Assignments are based on compositional problems. Some of the primary concerns are pictorial structure, balance, movement, contrast, theme, spatial relationships and color relationships. Additionally, the design and conceptual development of an assignment are emphasized coupled with high quality execution, originality and clarity of presentation. Prerequisite: ART 1110.

ART 2310 Sculpture I (2L,4LB,3CR):
A lecture and practice course applying the principles of three-dimensional form to sculptural expression. The course will focus on experience in substitution, (casting), additive and subtractive media and techniques. Prerequisite: ART 1120.

ART 2320 Sculpture II (2L,4LB,3CR):
A continuation of ART 2310. This course will focus on experience in fabrication, (welding), and mixed media as a means of expression. Prerequisite: ART 1120 and ART 2310.

ART 2330 Sculpture III (2L,4LB,3CR):
A lecture and practice course exploring in depth, the use of functional three-dimensional vocabulary to achieve sculptural expression. This course will focus on building the student’s skill levels, both technically and conceptually. Prerequisite: ART 2320.

ART 2340 Sculpture IV (2L,4LB,3CR):
A continuation of ART 2330. This course will focus on experience in combining materials and problems of the student’s own choosing with guidance by the instructor to give the student a wide range of expression in various materials. Prerequisite: ART 2330.

ART 2345 Metal Casting (2L,4LB,3CR):
An examination of the principles of a three-dimensional form with a concentrated study of the casting process in sculpture, including bronze and aluminum metals and on occasion, other casting materials. In addition, this course will acquaint the student with the basic methods of lost wax casting through traditional foundry processes including wax working, mold investment, burnout, and finishing procedures. Prerequisite: ART 1120 and ART 2310 or permission of the instructor

ART 2346 Metal Casting and Fabrication (2L,4LB,3CR):
This course will focus on the creation of sculpture using metal. Instruction includes solid investment casting using bronze and aluminum, chasing and patina work. This semester will also include instruction in oxy-acetylene, stick, (arc) and MIG welding as well as plasma cutting. Prerequisite: ART 1120 or 2310 is recommended.

ART 2350 Metals I: Jewelry (2L,4LB,3CR):
An introduction to the basic techniques in fabrication and design in nonferrous metals. Emphasis will be on the traditional and contemporary means of fabrication and forming.

ART 2360 Metals II: Jewelry (2L,4LB,3CR):
A continuation of ART 2350. Emphasis will be on the traditional and contemporary means of casting. Prerequisite: ART 2350.

ART 2370 Metals III: Jewelry (2L,4LB,3CR):
A course designed around a set of specific problems for advanced jewelry and metal forming concepts. This course will focus on technical development and personal imagery. Prerequisite: ART 2360.

ART 2375 Metals IV: Jewelry (2L,4LB,3CR):
A continuation of ART 2370. This course will focus on problems of the student’s own choosing with guidance by the instructor. Prerequisite: ART 2370.

ART 2408 Introduction to 3-D Modeling (2L,4LB,3CR):
This course is designed to introduce graphic design students to modeling and texturing techniques in Maya. Prerequisite: ART 2100.

ART 2410 Ceramics I (2L,4LB,3CR)[E]:
This is an introductory class in the fundamentals of traditional and contemporary ceramic making by means of hand building and throwing on the wheel. Students study some of the rich history and traditions of ceramics as well as decorating techniques and different firing possibilities.

ART 2420 Ceramics II (2L,4LB,3CR)[E]:
This is a continuation of Ceramics I, expanding techniques of throwing on the wheel as well as hand building, with more complex assignments. Students start to learn about loading and firing kilns and take more responsibility for firing their projects. Prerequisite: ART 2410 or permission of the instructor.Top

ART 2430 Ceramics III (2L,4LB,3CR)[E]:
This course offers advanced throwing on the wheel and hand building assignments with more independence in kiln firing. High temperature firing techniques and different styles of kilns become available for study. Prerequisite: ART 2420 or permission of the instructor.

ART 2440 Ceramics IV (2L,4LB,3CR)[E]:
Students are challenged with advanced throwing or hand building assignments and are required to fire their own work with a technique best suited for the assignments. Prerequisite: ART 2430 or permission of the instructor.

ART 2470 Art Museum Training Internship (1-3CR) (Max. 6):
The internship gives the student exposure to museum work through first hand experience. Prerequisite: Student must be enrolled in the art department, permission of the instructor, and interview with Nicolaysen Art Museum staff member and instructor.
The special projects courses are designed for the student who has recently completed all the offered courses in a given area and still requires or wishes continued exploration of advanced study in that area. The special projects are designed only as a continuation of previous courses, not personal endeavors of the student.

ART 2480 Special Projects: Drawing (*LB,1-3CR) (Max. 6):
* Laboratory to be arranged. Advanced drawing emphasizing individualized interests and projects. Prerequisite: ART 1050, 1060, 2050 and permission of the instructor.

ART 2481 Special Projects: Illustration (1-3CR) (Max. 6):
An advanced course in methods and techniques used in illustration with emphasis on developing individual style. Prerequisite: ART 2076 and permission of the instructor.

ART 2482 Special Projects: Painting (1-3CR) (Max. 6):
An advanced painting class for the student wishing to take further painting credit with a specific instructor. Prerequisite: ART 2210, ART 2220, and permission of the instructor.

ART 2483 Special Projects: Printmaking (1-3CR) (Max. 6):
Special problems in advanced relief, intaglio and monotypes, and other printmaking techniques with approval and directional guidance of the instructor. The course involves the development of a total idea and project and the completion of a portfolio of prints. Prerequisite: ART 2091, ART 2150, and permission of the instructor.

ART 2484 Special Projects: Photography (1-3CR) (Max. 6):
Students will work on special problems or projects of their own choosing with approval and directional guidance of the instructor. The course involves the development of a total idea and project and the completion of a portfolio of prints. Prerequisite: ART 1160, ART 2095, and permission of the instructor.

ART 2485 Special Projects: Ceramics (1-3CR) (Max. 6):
Assignments are of the student's choice with approval and guidance of the instructor based on credit hours. All work is done and finished at their own pace, meeting with the instructor as needed and at mid-term and finals. Prerequisite: ART 2440 or permission of the instructor.

ART 2487 Special Projects: Sculpture (1-3CR) (Max. 6):
Special problems of the student’s own choosing with directional guidance by the instructor. Emphasis will be placed on the development of a total idea, whether it is one work or several. Prerequisite: ART 2340 and permission of the instructor.

ART 2488 Special Projects: Metals (.5L,1LB/1LB-4LB,1-3CR) (Max. 6):
Special problems in jewelry of the student’s own choosing with directional guidance by the instructor. Emphasis on design and technical skills. Prerequisite: ART 2360 and permission of the instructor.

ART 2489 Special Projects: Graphic Design (1-3CR) (Max. 6):
An advanced study further exploring specific design problems with emphasis on development of ideas and flexibility of approach. Prerequisite: ART 2120 and permission of the instructor.

ART 2490 Topics: (Subtitle) (1-3L,1-3CR) (Max. 12):
A special seminar in various topics related to art. Prerequisite: permission of the instructor.

ART 2492 Professional Practices (3L,3CR):
This seminar focuses on specific aspects of artistic practice including preparing a professional portfolio, resume, artist statement, generating an exhibition, understanding careers in art and preparing work for museum and/or gallery consideration. This course is required of all art majors.

ART 2990 Museum Training Internship (18LB,6CR):Top
This course is designed for practical experience in a museum in areas such as collections management, education, development, or exhibition design.
For museum/gallery studies majors only. Prerequisite: ART 1300.

Casper College Art Department Students work within state-of-the-art facilities to produce stunning and compelling works.

 

Elaine DeBuhr
the balance of opposites
April 5-29, 2010

The Casper College Visual Arts Department presents ceramicist Elaine DeBuhr, April 5-29. DeBuhr will give a lecture Thursday, April 22 at noon in the Goodstein Visual Arts Center, Room 102 and workshops April 24, 9 a.m-4 p.m., and April 25, 10 a.m.-4 p.m. These events are free and open to the public.

“Ultimately, I seek a resonance between an aesthetic experience and functionality. Without the formal setting of a gallery or museum, ceramics can offer an intimate aesthetic experience through use. Though not all of my forms are designed for a specific function, the ability to evoke feeling through use is one of the most powerful attributes of ceramics. My hope is that my pots might elicit a moment of reflection in an otherwise busy day, or in other words, enrich the mundane.”

For more information about the exhibit call 307-268-2060.

The Goodstein Gallery is open Monday through Thursday from 9 a.m. to 4 p.m. The gallery show is free and open to the public.

| School of Fine Arts and Humanities Page | Office Hours |
| Visual Arts Departmental Report |

The School of Fine Arts and Humanities consists of six departments: English & Literature, Gender Studies, Music, Theatre & Dance, Visual Arts and World Language. Each department focuses on a specialized area of Fine Arts and Humanities and each has a region-wide reputation for excellence.

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